50 Cent Is Throwing a Music and Comedy Fest in Louisiana to Raise Funds for Underserved Youth
50 Cent is throwing a four-day music and comedy fest in Shreveport, Louisiana, to raise funds for underserved communities.
“Humor and Harmony Weekend is the first of many events I will be bringing to the great city of Shreveport,” the rapper, 48, said in a press release shared with Us Weekly. “I want to thank all my friends for coming out to support and help give back to the G-Unity Foundation. We are going to put on a weekend to remember, and help make a difference for underserved youth.”
Humor and Harmony Weekend, which G-Unity is hosting in collaboration with 50 Cent’s company Sire Spirits, kicks off on Thursday, August 8, and runs through Sunday, August 11. The event will feature performances from comics including Andrew Schulz, Bill Bellamy and Katt Williams and musicians including Da Baby, 2 Chainz, Cam’ron, Flo-Rida, Monica and 50 Cent himself. Tickets for the festival, which will be held at Shreveport’s Independence Stadium, are on sale now at HumorHarmonyWeekend.com.
50 Cent founded The G-Unity Foundation in 2005 with the goal of supporting nonprofit organizations that focus on improving quality of life for low-income communities across the United States.
“I have been incredibly lucky to be able to start a foundation that helps young people and communities all over the country,” reads a note from 50 Cent on the foundation’s website. “Team building and entrepreneurship are skills I learned along the way, but they are so important to develop early. I look forward to G-Unity supporting programs that are doing the crucial work of teaching kids to excel at life.”
During an August 2023 interview with Forbes, the musician said he’s proud of making the transition from writing checks to being more intimately involved with charity work.
“I’ve donated to organizations since 2004, but I didn’t offer my time. Now I’m able to coordinate,” he said of his work with G-Unity.
The “In Da Club” artist’s generosity doesn’t end with his foundation. During a January appearance on the “All That Smoke” podcast, Snoop Dogg said that he and 50 Cent have teamed up to help members of the hip-hop community who’ve fallen on hard times.
“There’s been many times where me and 50 Cent together have called some of our OGs and put bags on him,” Snoop Dogg, 52, said. “And [the] OG [will be] like, ‘Oh, man, nah.’ We ain’t trying to hear that s–t. We know you need it.”
Snoop Dogg added that the giving is always done “privately” and encouraged the younger generation of rappers to consider adopting similar habits.
“Respect your elders, because you making all this money. Not that you have to, but if you love this rapper and respect this rapper, you see he’s down on his luck, he may need some money,” he said. “He can’t even ask you, because he used to be you. But you have enough man in you to say, ‘Unc, I’mma throw you something.’”
King Los says Benzino beat Eminem, defends Benzino for using ghostwriters
King Los has recently done an Instagram live interview with Threeletterman3 where the two talked about Eminem and Benzino beef. During the conversation, King Los, who is one of the most respected lyricist in the game, said that Benzino beat Eminem with a ‘mid diss record’ and defended him for using ghostwriter. Later in the interview, King Los also showed some love to Em.
“Nah, I didn’t write it cause if I would have wrote for Benzino that s–t would have been even more evil. That s–t would have been even crazier. I think, to be honest with you, just from knowing Zino, I think Zino wrote that s–t bro. I’ve been known Benzino for a minute. I think he wrote that s–t by himself cause Zino has always been a hip-hop ni–a. Zino has something to say for a long time.” said King Los.
Then he continued: “I think maybe at one point, Zino had to sit down with some people because when it gets technical, it turns into a war. It makes sense because you going against the giant like Eminem. Benzino fell upon some hard times. He went through some s–t. He’s not at the height of his height. He’s in the mud. So, he’s like ‘yo, I’m ready to slay the giant.’ It’s David and Goliath right now. He’s like ‘I gotta fight the hardest that I’ve ever fought right now.’”
“In battle rap and in hip-hop, 100% of everything that was determined or considered to be a victory was not always written solely by the proprietor or the person that delivered it. In the battle rap culture, you might have chicks, you might got ni–as and they might have sat down and had some bars and then they went over the homies and helped him framework and put it together. That happens in battle rap all the time. In hip-hop, on diss tracks, there’s been motherf–kers helping ni–as. Sometimes, ni–as make contributions bro to those big moments. Maybe 20% of the music industry writes their own s–t. I don’t think it demerits Benzino if he had help against Eminem. If you come out on top and you win, that’s all that matters in the end.”
“I know Benzino in person right? He ain’t cheat cause he ain’t called me. I’m probably the most lyrical ni–a that most people know so imagine Zino got some help and he ain’t called me! He could say ‘yo, Los! This ni–a Eminem just hit me with a motherf…’ Benzino can take a victory lap cause you know why? because the culture has already determined that what he presented was better than what Em presented. It does not matter if he had a help because the weight class is not even. The only reason we marveling in it because it’s David and Goliath. Keep it real. Ni–a, Eminem is…Bro! Who ever survives Eminem?! The reason why Zino could take a victory lap is because he really beat Em with some mid s–t. Let’s keep it real. If he’d came out with some technical rap we’d be like ‘nah, ni–a, nah, stop.’ He beat him with something that was in his pocket. It was such a basic hip-hop. Punchline setup. It was very basic but Benzino beat Eminem with the cultural aspects of what he was saying. He didn’t beat him with technical ability. Benzino said things that mattered more. I think Benzino went personal and Eminem kind of went technical. That giraffe line was horrible.”
“[Is Eminem battle tested?] Hell yeah. First and foremost, because him getting his pen to a level where ni–as were feared of him. Eminem was feared! Like ni–as know, yo, you don’t wanna play with that white boy. He’s different. He was not born like that so how did he get to that? All them freestyles, joints he used to do and all that s–t. That built him. Eminem is battle tested because he’s a white boy who is simulated to a black dominated culture and genre and he got to the top of it. That’s the real battle! To become someone who is revered in hip-hop space for lyricism, you have to be battle tested because how the f–k did you get there. Eminem 1000% is battle tested bro. He’s one of them boys. He proved that bro. What I say about Em is, he survived Canibuses, his era was rap ni–as! He survived a lot of prominent hip-hop rap ni–as and his lyrics and everything was held on the pedestal and that makes him battle tested. AND, as a white boy, that makes him super battle tested and he rapped around Royce, Buddens and all them ni–as. When I talk to Royce, Royce be like ‘yo, you know how hard it was every day to come in the studio and tryna outrap Joell, f–king Crook?’ Now think about this white boy Eminem. Always staying in the prominent space at the top around all these giants. That alone gives you an accolade to be a battle tested.”
“Eminem was like bible at a certain point. When he dropped some s–t, I don’t care if it was a technical aspect or his subject matter or the shock value of what he would say out of his mouth but you gotta listen. When he sang that s–t ‘I’m sorry mama, I never meant to hurt you, never meant to make you cry but tonight I’m cleanin’ out my closet’ bro, that’s forever! When he talked about certain things like killing his mama and girlfriend, that more assimilates with Europeans. Us, we came in a struggle we would never even think about killing our moms or putting it in a songs. I don’t believe there is any limits in art so I respect his art because my favorite song is ‘Just The Two Of Us.’ In that song, he does…his baby mama but he did it in such a creative way that all I could understand was ‘oh man, he just going through with that girl’ and I felt him. So, what I’m saying is, when you have the ears of people you gotta say something that they feel. That’s all I’m saying.” King Los added.
The Game unleashes a blistering diss track aimed squarely at Eminem and his daughter, leaving jaws on the floor.
The track, which is featured on Game’s new album ‘Drillmatic: Heart Vs. Mind,’ sees the rapper take aim at Eminem, 50 Cent, and more artists.
The Game’s new album Drillmatic: Heart Vs. Mind features plenty of high-profile guests, but it’s his fiery track “The Black Slim Shady” that will really have fans talking.
The track, which very obviously references Eminem’s breakout hit “My Name Is,” sees the West Coast MC name drop a long list of artists. Most of the track, however, is spent targeting Em, with countless references to the rapper’s discography.
He’s clearly trying to provoke a reaction from Eminem and even mentions his 26-year-old daughter Hailie Jade. “I killed Dr. Dre in my basement last night/I was wasted last night, I went ape shit last night,” Game opens the second verse, in a reference to Em’s “The Real Slim Shady.” Before getting to the third verse, he goes on a short interlude in a conversation with an Uber driver in which he interpolates Shady’s “Stan.”
“Crazy story behind it, my brother Stan, rest in peace…he gave me this hat 22 years ago…Eminem, he used to be like this rap god,” he says as the brother of Stanley Mitchell during the interlude, in which he also remarks that he “don’t really like any of his new stuff.” “So ficky-ficky Slim Shady, please, stand up/Shoot the fade with me, I’d love to put these hands up,” the 42-year-old spits. “I could 40 Glock you, unarmed/Drop the world on your head with one arm/Dear Slim, Hailie’s with me and she’s unharmed—for now.” In the extensive final verse, Game name drops 50 Cent in another reference to “Stan.” (He suggested in April that he was more interesting in coming for Marshall because Game’s longtime rival 50 Cent “can’t rap.”)
“You done pissed off Jimmy, Universal, and Interscope/Know I got Jimmy, Slim, 50, and Universal in a scope,” he raps.
“Let’s get this all together, the picture was ripped, I fixed it/But none with me, you, and 50, let’s stitch this shit all together/You like, Slim?/I made it just for you/l even kidnapped Stan’s brother and baited him here for you/But you would just say ‘no’/Probably leave us in the blistering cold/God made you damn near perfect, he just missed your soul/You ain’t the shell of who you used to be.”
As the song comes to an end, the Game encourages Em to link up with Dr. Dre once again and thanks “MGK, UGK, Tech N9ne.”
In a brief outro, he closes, “Mr Shady, don’t be shady/Pick that pen up, don’t be lazy/Call up Dre and get that Dre beat/Jump offstage if shit get crazy.”
Elsewhere on “The Black Slim Shady,” Game makes references to Frank Ocean, 6ix9ine, Saweetie, Lizzo, and E-40. “I’m with Canadians in Drake’s House,” he also raps. The Game hasn’t minced his words when it comes to Em this year, suggesting he’s the “better rapper” last spring. Stream “The Black Slim Shady” below, and catch Drillmatic: Heart vs. Mind here.
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