Em’s secret ex-mistress Kesia Alvarez says Emiпem was wimpy lover
Kesia Álvarez talks about what it was like to have a short romance with Eminem.
Kesia was by Eminem’s side during tours of the United States, Britain and Europe and even stayed with him when and married his wife Kim in 1999, in a marriage that lasted less than a year.
Kesia, a Florida manicurist, met the singer when he was signing autographs in Miami Beach in March 1999.
“I really didn’t know about his music and I certainly didn’t like it at the time,” she says. “But, to laugh, I grabbed a pencil, a piece of paper and asked for his autograph.
“When we faced each other, it was like, ‘Wow!’ We both felt it. We were looking at each other. Then he asked me if I wanted to go to his show that night. He was very sweet and flirtatious. A very charming way about him.
That night they slept together for the first time. “I was nervous. I was the one who had to take control. It was very disappointing.”
“As soon as we started, it was all over. He didn’t even know what happened. All he did was apologize over and over. He was a good kisser though.”
During her relationship, Kesia used to cut, bleach em’s hair and select his clothes.
“Marshall would call me his Brazilian princess”
“I didn’t care about being Marshall’s lover. I was in love with him and he was in love with me. Despite not being a great lover, he was the most fun man I’ve ever been with. We had a great time.”
But as she spent more time with him, Kesia realized how confused she really was.
“He was really impressed by all the money that came in. It was stressful for him.”
Kesia says that Kim treated eminem badly on a regular basis.
“He would often kick him out of her own house in Detroit and he had to stay in a hotel. He always referred to her as a bitch, he thought she was a vindictive and abusive drug addict.”
“He was a heavy user of ecstasy and cocaine, as well as users of prescription drugs, Zanax and Valium.”
“I don’t think he put on a show when he wasn’t high. He also drinks a lot of Bacardi and while he was with him he started drinking brandy. But he never smoked cigarettes and I only saw him smoke marijuana once.”
Kesia claims that the rapper became more emotional as his alleged drug use increased.
“He and some of his friends were also very into coke. Many nights I had him with his face on my lap, crying, telling me how his family was screwed.”
“One night he asked me if I wanted to try cocaine with him and I went crazy because that’s something I am completely against.”
“About a week later, I walked into his hotel room. There was a plate full of cocaine on the table. It was in a heap, maybe a quarter pound. I turned and slammed the plate across the room.”
“Eminem’s sexual performance was never good”
Kesia also wondered about Eminem’s sexuality, although he never saw any evidence that he was gay.
“He is very homophobic, but I think he protests too much. On tour, I noticed that he was often surrounded by young men who seemed gay to me, especially when we were in Europe, and that he sometimes mysteriously disappeared.”
When they were apart, Eminem would regularly call Kesia, saying that he missed her, loved her, and couldn’t write new songs without her by his side. But Kesia believes the singer’s manager, Paul Rosenberg, and highway manager, Marc Labelle, may have turned him against her because he distracted the star from her job. Their romance began to unravel in 2000 when Byron’s book came out containing various references to Kesia that made Kim angry.
“By then, he’d had enough, Marshall was a huge star and that had changed him. He had become rude and arrogant. Slim Shady had taken over.”
“At one point in July 2000, I was afraid I was pregnant. I tried to discuss my concerns with Marshall, but he still had more problems with Kim and he refused to talk about it.”
“We had an argument and that was the last time I saw him. Fortunately, my ‘pregnancy’ was a false alarm.”
Nick Cannon Drops New Eminem Diss Track ‘Pray For Him’; 50 Cent Takes A Side. The Eminem And Her Feud Are Deeper Than You Think…
Eminem’s beef with rapper Machine Gun Kelly is long gone, but the Detroit native has found himself in the middle of another squabble, this time with Nick Cannon.
The war of words started Monday when Cannon dropped “The Invitation,” a diss track that Cannon created in response to Eminem’s feature on Fat Joe’s “Lord Above” last week. Cannon later followed that with a second diss track Tuesday.
In “The Invitation,” Cannon, 39, alleges that Eminem, 47, fired his chauffeur for recording a video of the rapper engaging in sexual activities with another man. The track features Suge Knight, who’s currently serving 28 years in prison.
The diss prompted an immediate response from Eminem, who tweeted, “U mad bro? Stop lying on my (expletive). I never even had a chauffeur, you bougie (expletive).”
Eminem appeared to make light of the situation, adding, “I demand an apology Nicholas, you’ve made my gardener so jealous!”
Cannon then took to his Instagram account to invite Eminem to the TV series “Wild ‘n Out” to hash out their differences. In a video, he said, “Marshall (Mathers) come out and play.”
He captioned the black-and-white clip, “I see your handlers let you use the internet today Marshall! @mtvwildnout We waiting…”
The two reignited their beef on Friday when Eminem alluded to his alleged relationship with Cannon’s ex-wife, Mariah Carey, on “Lord Above.”
During his verse, Eminem took several below-the-belt shots at Cannon, calling him “whipped” and “neutered.” To add insult to injury, Eminem called Carey a “nutjob.”
On Tuesday, fellow rapper 50 Cent appeared to take Eminem’s side in the feud. 50 Cent rose to fame with the help of Eminem and Dr. Dre.
“I don’t understand to save my life why someone would pick a fight with EM. He is a different kinda animal, I haven’t seen a (expletive) come close to beating him man,” he tweeted along with a photo of Eminem. “hey Nick that (expletive) was trash, I oughta kick you in yo (expletive) when I see you PUNK!”
In response, Cannon shared a photo of Samuel L. Jackson’s character from “Django Unchained” looking upset to his Instagram. He simply captioned the image with 50 Cent’s handle and a laughing emoji.
50 Cent wasn’t the only one to pick a side. Others also saw Eminem as the victor of the feud, causing the hashtag #ripnickcannon to trend on Twitter Tuesday morning.
Later Tuesday, Cannon dropped “Pray For Him.”
In the song, Cannon and The Black Squad continue to go after Eminem.
“Lord forgive us/ I know that it’s kinda wrong/ For five brothers this talented to be on one song,” the lyrics read. “But that white boy, he is nice/ But he crossed the black man, Lord Jesus Christ/ We gonna pray for him.”
“Now you debate, disputed, hated and viewed in America as a (expletive) drug addict/ You’ll never be a legend,” the track continues, before accusing the rapper of cosmetic surgery. “You should really start to stare at who’s in the mirror/ Look at all that (expletive) botox, (expletive) I know you embarrassed.”
The song also references Eminem’s daughter Hailie and extends another invitation for Eminem to appear on “Wild ‘n Out.”
There’s a long history between Eminem and Carey and Cannon, who divorced in 2016 after eight years of marriage and two children together.
In 2009, Eminem dissed the couple on “Bagpipes From Baghdad.”
“Mariah, what ever happened to us? Why did we have to break up? … Nick Cannon better back the (expletive) up I’m not playin’, I want her back, you punk.”
In response, Carey released her hit song “Obsessed” in 2009 along with a music video that appeared to diss Eminem. She denied that she ever had a relationship with him.
On Monday’s “The Invitation,” Cannon added:
“My baby mama killed you off a decade ago You’re still cryin’ about it, (expletive), now who really the (expletive)?”
Lord Jamar stated that he is troubled by rappers defending Eminem over his statement, noting that they do not show the same defense for black women
Last year, during the conversation on Joe Budden Podcast, Dr. Umar Jonson said that Eminem can never be the greatest rappers of all time because he’s white. Black hip-hop artists and celebrities, including The Game, MC Shan, Royce Da 5’9″, Mr. Porter, Swifty McVay, Kuniva, Ed Lover, Math Hoffa, Kxng Crooked, Cassidy, Tony Yayo, Orlando Brown, John Salley and Donnell Rawlings came out in defense of Eminem and in a recent interview on The Art of Dialogue, Dr. Umar responded to all of them.
“I was on a podcast interview. The topic came up. I think it was Joe Budden who suggested that Eminem maybe one of the greatest and I said he could never be considered THE GOAT. If you wanna say he’s one of the greatest, make that argument, but you will not call him THE GOAT of a black cultural icon. You are not doing that! Our culture is our culture. We don’t share it. If you want to give people privilege to participate then they have participation privilege but you can not be the face of something my people made. This is not only true for me, this is true for most groups. But because black people suffer from post-traumatic slavery disease and we crave white validation more than oxygen, we are always looking to annoy some non-African as the face of something African people created.” said Dr. Umar.
Then he continued: “So, when I said, Eminem can not be GOAT, I never said he couldn’t rap. I never said he didn’t have talent. I simply said he can’t be the GOAT. No more than DJ Khaled could ever be considered as a DJ or producer cause you are not African. So, a lot of hip-hop artists took offence, they came out of the woodworks with their unlicensed law degrees and served as Eminem’s expert lawyer and publicist to the black world and they defended better than Johnny Cochran defended OJ Simpson and basically told me I have no right to speak on the topic because I’m not a rapper. I don’t have to be a drug dealer to speak about drug dealing.
I don’t have to be a surgeon to speak on the racism that black suffer in the medical industry and I don’t have to be a rapper to speak on rap music but as an African who grew up in hip-hop, as an African who partakes in hip-hop, as an African who is a safe-guard of all African culture, I will speak on anything my people create and anything my people are affected by and I’m just disappointed brother.
Because just like we talked about snow bunny Barkley and snow bunny Shannon and LeBron James earlier defending Caitlin Clark, we saw the same thing happen with this so called gangster rappers who took Eminem’s against your good brother Dr. Umar, and you know what bothered me the most? About all of these rappers defending Eminem without him even asking them to, without him even paying for them to do it, what offended me the most about it, I never seen any of them defend black women the same way. Not one of these rappers who defended Eminem against me, I never seen a single one of them defend black women as ferociously as they defended Eminem. What did I say earlier? Politically effeminate.
Our gangsta rappers are politically effeminate. Our basketball layers, NFL players are politically effeminate. Whenever it comes to holding white people responsible for appropriating black culture, here comes the gangsta rappers to defend their white Jesus. It’s absolutely insane. Black celebrities never defend us. They never defend black America but whenever white folks are offended by black people, they are the first people to pop up.”
“I’ll take it to the culture-vulture DJ VLAD. After that interview I did with Joe budden, Vlad brought all these rappers and celebrities on his platform and he asked everybody ‘do you agree with Dr. Umar who said Eminem could never be the GOAT og hip-hop and and I think 99%, if not 100% of these celebrity black men defended Eminem and reinforced the integrationist colorblind narrative and anybody can be a GOAT of hip-hop…When I said Eminem can’t be the GOAT, hip-hop’s most popular rappers came out and tried to chastise Dr. Umar in defense of Eminem but when Beyoncé came out with the Cowboy Carter album, those country musicians and their fanbase attacked her vehemently. They tried to destroy that sister’s credibility in the country music world even though the roots of country music go to the slave plantations of America.” Dr. Umar added.
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